Archive for the ‘Side Project’ Category
Posted in News Article, Scott Devendorf, Side Project, tagged bryan devendorf, california, concert, deadhead, devendorf brothers, headcount, scott devendorf, supergroup, the bridge session, the grateful dead, the national, tri studios on February 28, 2012| 1 Comment »
Bob Weir of The Grateful Dead and Bryan and Scott Devendorf of The National will share the stage under the name “The Bridge Session” at California’s TRI Studios on March 24.
The musicians aim to mix “different musical genres, political discussion and a showcase of modern technology, the event aims to ‘bridge the gaps’ between people of various tastes and viewpoints.”
They will perform original songs as well as cover songs. There will be roundtable political discussions between the sets.
You can win tickets HERE
The Devendorfs cite The Grateful Dead as a major influence on their music, and Bryan considers himself a Deadhead. The National will also curate a Dead tribute album.
Posted in Aaron Dessner, Bryce Dessner, Collaboration, News, Side Project, tagged Aaron Dessner, Bryce Dessner, collaboration, dessner brothers, dessners, review, side project, the guardian, the guardian uk, The Long Count, the national, the national news on February 7, 2012| Leave a Comment »
Posted in Aaron Dessner, Bryce Dessner, Collaboration, Interview, News Article, Side Project, tagged Aaron Dessner, Bryce Dessner, collaboration, quietus, side project, The Long Count, the national, the national news on February 2, 2012| Leave a Comment »
I was watching a video interview with him about The Long Count which was interesting – he said that for him, it also extended to ideas of games and combat, conflict and play in every day life. Was that of significance to you too?
AD: Yeah, definitely. I remember… early on, it was very much about games and play and tests, and we tried to affect that in the music. A lot of the music involves these chases, or mirroring – my brother and I can play guitar in really unique ways together because of how we grew up. Literally I can look at his hand and play the exact same thing or the exact opposite thing, or a key off. What usually happens is that I’m playing something and he plays a mirror or echo of it, and a lot of music is like that, and it’s extended into the ensemble also, so it’s like twins also. That extends into the film as well – you see the film, the two diamond shape films, and then they reflect down off of this mirror floor, so everything is doubled or quadrupled, so this has this interesting effect where it’s all very playful.
You must both be acutely aware of the ways in which you and Bryce work together and apart.
AD: I think we have this instinctive feeling that if we hit a wall at some point, that the other will be able to break through it. We have different tendencies: he’s much more academic about music than I am, and I’m more visceral or spontaneous. It’s probably easier for me to generate lots of new ideas, a constant stream, and in a way it’s easier for him to finish those ideas, and maybe elevate them beyond a simple idea. But then he’ll do some work and I’ll take it further. There are very few times where either of us is working on something where the either isn’t in some way part of it. Bryce is writing more orchestral work now, and some of that I’m not involved in it, some of that I am, and in some ways that’s a different exercise when you’re writing in a more traditional way, as opposed to collaborating. We’re always finishing each other’s ideas, and it works really well in The National, and in some ways it works even better in these more expansive, experimental ways. There aren’t these restraints. With The Long Count, there are a lot more musicians to bounce things out of and draw on, different voices and things. It’s liberating.
read the rest HERE
Posted in Aaron Dessner, Bryce Dessner, News Article, Side Project, tagged Aaron Dessner, Barbican, Bryce Dessner, collaboration, myan culture, myan myth, myth, mythology, podcast, side project, The Long Count, twins on January 25, 2012| 2 Comments »
Aaron gives a nice overview over his collaborative musical project about mythological “hero twin brothers”; the origins; his relationship with Bryce (and how they sync up on stage) and much more. He calls it “our personal mythology” and says that each time they perform The Long Count, they interpret it differently.
more information can be found at Barbican’s website
watch the trailer below:
“Bryce and Aaron Dessner (of The National) are curating ‘Crossing Brooklyn Ferry,’ a music festival taking place in BAM’s spaces from May 3 – 5. Each night will include a variety of NYC artists, film screenings, accompanying scores, and a late-night dance party. Lineup announcement coming soon and tickets go on sale in March.”
Rumor has it that The National will be in charge of the three day Somerset festival for Christmas 2012. The theme is “Nightmare Before Christmas” and will feature The Magnetic Fields, Joanna Newsom, Thurston Moore, Jon Spencer Blues Explosion, The Fall, Low, Young Marble Giants and more.